Beverly Carinus together with her husband Steve Pilkington-Williams write an amusing and unusual glimpse into living with and coping with Steve's inoperable brain tumour.

This book is not about the tragedy of the tumour rather it's about the fight and survival for life and love and shared laughter. It's a love story about two people whose lives ran in parallel lines, each seeking that someone who was missing from their lives.

When on an expedition to the summit of a great mountain, the last sound you want to hear is the ‘whumph’ under your feet – the tell-tale sign that an avalanche is about to descend. In that moment you realise that the sudden and devastating shift in snow may just destroy you.

In business, an avalanche could be a sudden or unexpected business catastrophe that threatens to destroy everything you have created. Or it could be the potential for disaster that you face when trying to reach the next level of success; a step up that perhaps requires more than you can currently give.

Walking to Australia describes a 21st-century journey which roughly follows the direction taken by anatomically modern humans who, some scientists conjecture, left the African nursery around 85-thousand years ago in search of survival, and who reached Australia 20-thousand years later.

Israel’s military occupation of Palestine is horrifically reminiscent of South Africa’s Apartheid past. Yet, pro-Israeli apologists are shocked that the Zionist entity is being compared to Apartheid South Africa. In response, Zionists ask “Why Israel?”   

South African activists, Suraya Dadoo and Firoz Osman answer that question. They examine how and why Apartheid applies to the situation in Palestine by using expert academic analysis, commentaries, articles, and blogs of well-known and highly-respected activists and human rights organisations, as well as reports from NGOs with extensive on-the-ground experience in the region.

Forty years after coming of age in South Africa in the 1960s, the author unearths a forgotten manuscript written at that time. Through rereading this early work, he revisits the political and religious falsehoods that had characterised the context of his genesis as a writer, particularly as revealed by the fictional characters that he then created.

Two women have been damaged by the realities of the time, one crushed by the withering world of Afrikaner urbanisation, the other by the devastating impact of racially defined morality. They bring tragedy and greater maturity to the central character, a young visual artist who falls in love with both these shattered individuals.