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In April 1994, South Africa stepped back from the slough of endemic violence and danced its first bold dance with constitutional democracy. Millions of people entered into a state of euphoric rejoicing. The date marked the end of the apartheid past and the beginning of a brave new future.
These are universal stories which anyone who has been involved with a divorce – and who hasn’t? – will enjoy.
They are stories of shattered dreams, broken hearts and all the intricacies and frequent humorous absurdities that accompany the ending of the most intimate of human relationships.
Farm, fun and life tools all in one ‒ a fantastical world that belongs to Ellie, Johnny, Nala and Tuma ‒ the Gift Gang team!
In everyone of us is a stranger yearning to be found.
A child grows up in a small town on the Black Sea, which soon becomes her imaginary prison. Afraid of being suffocated by a society in which sexism and masochism are the norms, she dreams of flying to her freedom.
She dreads the life of an obedient Muslim woman, and particularly of losing her identity before she can find her freedom.
Gabriel Kutama, an elderly illegal from across the border, is mugged at a Soweto taxi rank. He ends up at the house of Portia, a single mother who tends to his bruises. She allows him to stay on in a room at the back of her house.
But Gabriel is no ordinary man, for he is the former President of the country north of the South African border, presumed dead after a military coup. His wife has fled to London with their three children.
Are you struggling to understand how to do business with Government? Does responding to Government Requests for Proposals leave you feeling frustrated, confused, and overwhelmed?
Did you know that every Request for Proposal (RFP) is won way before it is ever published? Or that there are proposal evaluators who do not read your entire proposal response and yet they still score it?
Government Tenders Don’t Suck! is a no-nonsense playbook for the overwhelmed small business owner who wants to navigate the complicated government tendering process and win.
Heap of Stones is a selection of forty poems from two decades of AE Ballakisten’s poetry, many written while in his twenties. The book opens with a pledge by the poet; that his poetry will always reflect his “true word”. Indeed, the poems have a bold honesty; they are a powerful reflection of the human experience and range in emotions from anger and heartbreak to hope and contentment.
When the disease began to spread around the world, and also in Johannesburg where Gregory Davis lived, everyone was ordered into their houses and told to stay there. On the last day of freedom, people scrambled into the supermarkets and bottle-stores and, after standing two metres apart at the tills, emerged heavily laden ...
This is prizewinning author David Robbins’ twentieth book. Oblique Light is a collection of long short-stories set in Scotland and dealing with the alienation and amorality of self-imposed exile.
The William Humphreys Art Gallery (WHAG) in Kimberley is South Africa’s smallest nationally funded gallery. It is also the country’s most dynamic and innovative in terms of its response to the changing socio-political terrain in which it has operated during its 60-year life. From its origins as a typical colonial repository of imported culture, WHAG now holds one of the finest collections of the diverse streams of South African art. It also runs unique projects which have transformed the gallery from an isolated cultural enclave into the nerve centre for thriving outreach in the most desolate and marginalised – and starkly beautiful – region of the country’s hinterland.
A Controversial HIV/Aids programme, loveLife, began in the final few months of 1999 when South Africa’s epidemic was rampaging through the country’s young people, leaving millions dead. In 2019, after 20 years of sustained effort, the organisation is still going strong, but with some significant differences in approach. Large-scale American funding had been guaranteed for five years and was provided for ten. The famous billboards that had characterised the first decade disappeared for economic reasons for the second.
