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In April 1994, South Africa stepped back from the slough of endemic violence and danced its first bold dance with constitutional democracy. Millions of people entered into a state of euphoric rejoicing. The date marked the end of the apartheid past and the beginning of a brave new future.
A crazy desert prophet, a missing woman and a bloody dress, Ronny Searching got more than he bargained for when he took the road to Eternity.
Ronny Searching is a down and out tabloid journalist who’s tasked to do a story on a so-called desert prophet named Dean Le Blanc at a small town named Eternity. Dean shares his wisdom as and recalls his history filled with abuse, violence, teenage angst, sex and drugs during a whirlwind trip on his Harley Davidson.
Farm, fun and life tools all in one ‒ a fantastical world that belongs to Ellie, Johnny, Nala and Tuma ‒ the Gift Gang team!
Covid-19 amplified the seismic rumblings of South Africa’s divided society. Out of the limelight and away from corruption scandals, a vast network of civil society organisations mobilised as the pandemic approached. They harnessed the thunder, directing attention to people who are usually not seen or heard – compelling the nation to take a long, hard look at itself.
Civil Society’s Care and Creativity in South Africa’s Covid storm
When the disease began to spread around the world, and also in Johannesburg where Gregory Davis lived, everyone was ordered into their houses and told to stay there. On the last day of freedom, people scrambled into the supermarkets and bottle-stores and, after standing two metres apart at the tills, emerged heavily laden ...
Seventeen years old and faced with the most difficult situation of her young life. The only problem was that she had no idea what was actually wrong with her. Leukaemia? What is that? It’s cancer. ‘Am I going to die’, she asked.
Intrigued by the question, ‘How do you prepare a leader for a path that he will travel only once?’ Coen Bester set out on a discovery journey to find a credible solution to this challenge. Inspired by the power and elegance of the modern day GPS, he came up with the human equivalent of a GPS – the Personal Guidance System, or PGS. He takes the reader along a fascinating journey of self-discovery as he puts the device together in true engineering fashion.
When Esther Alm and her husband settled in Bulwer in the South African province of KwaZulu Natal in 1980 they immediately began to explore their environment. They had spent holidays in the area before - and had already climbed Mahwaqa (Bulwer mountain) several times. Esther writes: 'From those early days right up to my last climb in 2010, I kept dated records of what we saw and experienced. When I looked at these records again, I could calculate that I had climbed to the summit of the mountain over 600 times in the nearly 30 years I lived in Bulwer.'
This is prizewinning author David Robbins’ twentieth book. Oblique Light is a collection of long short-stories set in Scotland and dealing with the alienation and amorality of self-imposed exile.
The William Humphreys Art Gallery (WHAG) in Kimberley is South Africa’s smallest nationally funded gallery. It is also the country’s most dynamic and innovative in terms of its response to the changing socio-political terrain in which it has operated during its 60-year life. From its origins as a typical colonial repository of imported culture, WHAG now holds one of the finest collections of the diverse streams of South African art. It also runs unique projects which have transformed the gallery from an isolated cultural enclave into the nerve centre for thriving outreach in the most desolate and marginalised – and starkly beautiful – region of the country’s hinterland.
A Controversial HIV/Aids programme, loveLife, began in the final few months of 1999 when South Africa’s epidemic was rampaging through the country’s young people, leaving millions dead. In 2019, after 20 years of sustained effort, the organisation is still going strong, but with some significant differences in approach. Large-scale American funding had been guaranteed for five years and was provided for ten. The famous billboards that had characterised the first decade disappeared for economic reasons for the second.
