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GRIEF AND GRACE is the account of a six-month period in Tim Tucker’s life when he faced the unimaginable; losing his 38-year-old wife to a brain aneurysm.
A woman with a past, a city with a future, a soccer team chasing glory.
Amidst the tension surrounding the run-up to the 2010 Soccer World Cup in South Africa, one woman discovers her husband is having an affair, another meets up with a university sweetheart and a third heads for a nervous breakdown. Who is the man at the centre of the drama, and does he get to keep his gold?
That was how it had been with her marriage.
Say ‘yes’ and the road would take you. Say ‘yes’, say ‘yes’. The road had taken him right through to the end of his life and she had completed the circle with him.
It had been rugged in places and the tyres had worn thin. But in the end it had been a complete journey. A lifetime.
A shared incarnation. She had said ‘yes’ and travelled with him to the last breath. There is a last. She had been with him. And then her incarnation continued without him.
Four teenagers investigating a catacomb that has appeared at the back of a giant Johannesburg cemetery unleash an ancient evil bent on bringing the Apocalypse. Armed only with their wits and with a little help from a mystery man, the four take on a dangerous mission that will change their lives forever.
Television news – which has played a crucial role in the world’s most momentous events, from wars and royal weddings to mankind’s first steps on the moon – is in the midst of a digital-fueled revolution. In the early years, TV news was monopolised by large corporations and state broadcasters, who controlled what went on air and when. Then technological advances in the 1980s enabled billionaires like Ted Turner and Rupert Murdoch to muscle in and beam 24-hour news channels across the world via cable and satellite.
