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In the 1950s a routine underground inspection in a gold mine turns into a horrifying experience for a South African mining engineer.
This is a fascinating new novel by Mervyn Nel. Venice experiences a series of art heists. Paintings are stolen from museums and art galleries. Chief Superintendent Gina Rosi of the Italian Police, and Harry Wilson, an art expert who does freelance work for Interpol in the United Kingdom, are commissioned to investigate.
As their investigation deepens, Harry suspects that someone in Gina’s department is providing the thieves with confidential information. Though they are often in agreement on how to take the investigation further, at times they see things differently.
Theodor, the eighty-five year old protagonist in this engaging short novel, writes of his early years in Johannesburg in the 1930s and 1940s.
The story begins as he remembers how his journey began. It ends with his arrival in the fledgling Israeli state to serve his ancient homeland as a soldier-farmer on an outlying kibbutz. But the main focus is reserved for the often funny and always ironic accounts of the childhood and youth of an intelligent Jewish boy growing up in a dusty mining town in Africa.
The world is ending. People, animals, plants – there is a universal dying-off of the planet. Rumours persist of a reprieve but none appears. Two dogs and their human companions bond, as they trace a vivid circuit in a region not dissimilar to Cape Town; they encounter the violence and decay as they travel, struggling to survive. It’s a tough passage through societies of degradation and unsettled by a war beyond the mountains that encircle them.
