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In April 1994, South Africa stepped back from the slough of endemic violence and danced its first bold dance with constitutional democracy. Millions of people entered into a state of euphoric rejoicing. The date marked the end of the apartheid past and the beginning of a brave new future.
You will love how this guidebook leads you on the exciting journey of getting to know Jesus better. You will come to appreciate the relevance of Jesus to all dimensions of life today – inclusive of the social, spiritual, economic, political, relational and ecological realities. John Wessels has consistently developed and taught the contents of this guidebook in courses since the year 2000. Over the years since then he has often re-written, enlarged and refined the guidebook. Now, nineteen years after the start of this project, he has decided it is ready for publication.
A Controversial HIV/Aids programme, loveLife, began in the final few months of 1999 when South Africa’s epidemic was rampaging through the country’s young people, leaving millions dead. In 2019, after 20 years of sustained effort, the organisation is still going strong, but with some significant differences in approach. Large-scale American funding had been guaranteed for five years and was provided for ten. The famous billboards that had characterised the first decade disappeared for economic reasons for the second.
When the disease began to spread around the world, and also in Johannesburg where Gregory Davis lived, everyone was ordered into their houses and told to stay there. On the last day of freedom, people scrambled into the supermarkets and bottle-stores and, after standing two metres apart at the tills, emerged heavily laden ...
Greg Margolis (founder of NYPD Security) was for decades intimately involved in dealing with ‘random victims’ of crime or conflict, whether the victim was an individual, a family or even someone close to the victim(s), in many instances if they could, they often chose to leave the country ‒ this included the vast majority of Greg's extended family.
But Greg embodied the antithesis of a victim mentality – and chose to stay in SA, founding a non-profit security company in the late 90's, which then later expanded and evolved into a commercial security service provider in Johannesburg.
Walking to Australia describes a 21st-century journey which roughly follows the direction taken by anatomically modern humans who, some scientists conjecture, left the African nursery around 85-thousand years ago in search of survival, and who reached Australia 20-thousand years later.
Timothy’s Tomatoes is a storybook for children about a competition at school to see who will grow the best vegetables.
A few of the key themes in the book deal with:
• feelings of disappointment and failure
• having the courage to believe in yourself when it appears as if the odds are against you
• looking at the small things in life and enjoying them to the maximum
• dishonesty
Theodor, the eighty-five year old protagonist in this engaging short novel, writes of his early years in Johannesburg in the 1930s and 1940s.
The story begins as he remembers how his journey began. It ends with his arrival in the fledgling Israeli state to serve his ancient homeland as a soldier-farmer on an outlying kibbutz. But the main focus is reserved for the often funny and always ironic accounts of the childhood and youth of an intelligent Jewish boy growing up in a dusty mining town in Africa.
This is prizewinning author David Robbins’ twentieth book. Oblique Light is a collection of long short-stories set in Scotland and dealing with the alienation and amorality of self-imposed exile.
The William Humphreys Art Gallery (WHAG) in Kimberley is South Africa’s smallest nationally funded gallery. It is also the country’s most dynamic and innovative in terms of its response to the changing socio-political terrain in which it has operated during its 60-year life. From its origins as a typical colonial repository of imported culture, WHAG now holds one of the finest collections of the diverse streams of South African art. It also runs unique projects which have transformed the gallery from an isolated cultural enclave into the nerve centre for thriving outreach in the most desolate and marginalised – and starkly beautiful – region of the country’s hinterland.
Four teenagers investigating a catacomb that has appeared at the back of a giant Johannesburg cemetery unleash an ancient evil bent on bringing the Apocalypse. Armed only with their wits and with a little help from a mystery man, the four take on a dangerous mission that will change their lives forever.
Forty years after coming of age in South Africa in the 1960s, the author unearths a forgotten manuscript written at that time. Through rereading this early work, he revisits the political and religious falsehoods that had characterised the context of his genesis as a writer, particularly as revealed by the fictional characters that he then created.
Two women have been damaged by the realities of the time, one crushed by the withering world of Afrikaner urbanisation, the other by the devastating impact of racially defined morality. They bring tragedy and greater maturity to the central character, a young visual artist who falls in love with both these shattered individuals.
