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Seventeen years old and faced with the most difficult situation of her young life. The only problem was that she had no idea what was actually wrong with her. Leukaemia? What is that? It’s cancer. ‘Am I going to die’, she asked.
Television news – which has played a crucial role in the world’s most momentous events, from wars and royal weddings to mankind’s first steps on the moon – is in the midst of a digital-fueled revolution. In the early years, TV news was monopolised by large corporations and state broadcasters, who controlled what went on air and when. Then technological advances in the 1980s enabled billionaires like Ted Turner and Rupert Murdoch to muscle in and beam 24-hour news channels across the world via cable and satellite.
The world is ending. People, animals, plants – there is a universal dying-off of the planet. Rumours persist of a reprieve but none appears. Two dogs and their human companions bond, as they trace a vivid circuit in a region not dissimilar to Cape Town; they encounter the violence and decay as they travel, struggling to survive. It’s a tough passage through societies of degradation and unsettled by a war beyond the mountains that encircle them.
