FINDING HENS AND LAYING EGGS
Farm, fun and life tools all in one ‒ a fantastical world that belongs to Ellie, Johnny, Nala and Tuma ‒ the Gift Gang team!
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Farm, fun and life tools all in one ‒ a fantastical world that belongs to Ellie, Johnny, Nala and Tuma ‒ the Gift Gang team!
Selwyn and Robert replaced, Squary Wary and Roundy Boundy, who were the original characters. Because of circumstances they became Selwyn and Robert. The author felt it was appropriate to change the images in order to fit in with the new characters. As in the story "Selwyn and Robert learn a Secret on the Farm", the pixies help them again, but in a different way. This time they help them to find an interesting way to travel a great distance in order to save Whako the white lion cub.
First Piano Lesson for Tiny Tots: The method used in this book does NOT require t the need for a Piano.
Three year old twins, Tshepi and Sipho, receive a gift of a piano from their father.. Realising that small children have a natural ability to soak up and store information, their mother spends quality time with them, teaching them the names of some keyboard notes in an interesting and fun way. She uses the same method to teach them about the stave on which music is written and how to read a few notes.
This book is inspired by the struggles the author has seen young people being subjected to in his neighbourhood and around his country; from all sorts of abuse to murdering and killing each other. The book was inspired by seeing the amount of mediocrity to which the youth of the country is subjecting itself and to help extinguish the resultant turmoil.
This book aims to motivate, encourage and empower young, ambitious people who think that their background determines their success. The book proves this wrong by exploring and breaking down the nature of success to its core. It will help the reader to revolt against the ordinary and pursue the extraordinary.
BEING BLACK AND BI-POLAR IN SOUTH AFRICA
‘My struggles with mental illness were in some ways like a child crying out for attention; more than that they were a cry for help from the mind I felt trapped in. There was a darkness in me that many times swallowed me whole.’
This is how Keamogetswe Bopalamo introduces her account of her troubled early life. It is an intensely personal account, and yet it speaks to a reality much broader than itself. In the exciting whirl of South Africa’s post-apartheid society, there is this darker side: the confusions, the fears, the rebellions, the degradations and emotional pain.